The call for proposals for the 2010 CCCCs in Louisville is titled “The Remix: Revisit, Rethink, Revise, Renew.” First off, proposal readers better get ready for a whole bunch of “Re:”s which is likely to be included in just about every single proposal. I didn’t look too closely at the CCCCs program for San Francisco, but I will bet you there were enough waves to make a reader seasick.
Second, I suspect the CCCCs ought to be careful what it asks for. Is this an organization that is really ready to rethink, revise, and renew? I dunno.
Third– and maybe this is just me– but that “The” bothers me, as in “The Remix,” which suggests singularity which obviously not only doesn’t exist but which is defied by remixing in the first place. Plus every time I read the phrase “The Remix,” I misread and/or hear “The Reflex” by Duran Duran.
I’ve got a couple of vague ideas for proposals, but one thing I’m kind of thinking about is something along the lines of Rip: A Remix Manifesto, only in the form of an essay/word-driven project. Here’s a preview:
The Ann Arbor film festival is going to screen this on Saturday night, but not until 9 pm. And given that I am a flying solo this weekend while Annette is off at a conference, I’m not sure I’ll be able to make it or not. But the point of the movie, as I understand it, is it is the first “open source” documentary, where the filmmaker invited folks to remix/mashup the video. So the two things I wonder about:
Could this work in a “conventional” first year writing project, where one of the research writing “essay” projects was replaced with a “mashup” essay?
And is the CCCCs and/or comp/rhet world actually ready for something like that?