Peter Elbow died earlier this month at the age of 89. The New York Times had an obituary February 27 (a gift article) that did a reasonably good job of capturing his importance in the field of composition and rhetoric. I would not agree with the Times about how Elbow’s signature innovation, “free writing,” is a “touchy-feely” technique, but other than that, I think they get it about right. I can think of plenty of other key scholars and forces in the field, but I can’t think of anyone more important than Elbow.
Elbow was an active scholar and regular presence at the Conference for College Composition and Communication well into the 2000s. I remember seeing him in the halls going from event to event, and I saw him speak several times, including a huge event where he and Wayne Booth presented and then discussed their talks with each other.
A lot of people in the field had one store or another about meeting Peter Elbow; here’s my story (which I shared on Facebook earlier this month when I first learned of his passing):
When I was a junior in high school, in 1982-83 and in Cedar Falls, Iowa, I participated in some kind of state-wide or county-wide writing writing event/contest. This was a long time ago and I don’t remember any of the details about how it worked or what I wrote to participate in it, but I’m pretty sure it was an essay event/contest of some sort– as opposed to a fiction/poetry contest. It was held on the campus of the University of Northern Iowa, which is in Cedar Falls. So because it was local, a bunch of people from my high school and other local schools and beyond show up. My recollection was students participated in a version of a peer review sort of workshop.
This event was also a contest of some sort and there was a banquet everyone went to and where there were “winners” of some sort. I definitely remember I was not one of them. The banquet was a buffet, and I remember going through the line and there was this old guy (well, he would have been not quite 50 at this point) who was perfectly polite and nice and with a wondering eye getting something out of a chaffing dish right next to me. I don’t remember the details, but I think he was asked me about what I thought of this whole peer review thing we did, and I’m sure I told him it was fun because it was.
So then it turns out that this guy was there to give some kind of speech to all of the kids and all of the teachers and other adults that were at this thing. Well, really this was a speech for the teachers and adults and the kids were just there. I don’t remember how many were there, but I’m guessing maybe 100-200 people. I don’t remember anything Elbow talked about and I didn’t think a lot about it afterwards. But then a few years later and when I was first introduced to Elbow’s work in the comp/rhet theory class I took in my MFA program, I somehow figured out that I met that guy once years before and didn’t realize it at the time.
I can’t say I’ve read a ton of his writing, but what I have read I have found both smart and inspirational. It’s hard for me to think of anyone else who has had as much of an influence on shaping the field and the kind of work I do. May his memory be a blessing to his friends and family.
Free writing and peer review are the two most difficult actions for a fully online program.
Free writing is hard because it’s all done on a keyboard, but the hardest part is convincing students that it’s OK to say whatever comes to mind, to not write what students think the teacher wants to hear. It mostly fails the first time, until the teacher can convince students not to censor themselves.
Peer review takes constant, active but gentle intervention from the teacher. Asking prodding but not leading questions.
You know all this, of course.
Elbow showed how to do it F2F, we online folks are still honing skills.
This is a bit of a tangent, but to me, this also speaks to the one of the limitations of teaching online. Now, I have only taught at the college-level (though we do have a program at EMU where high school students take a lot of classes here like first year composition), and other than during a brief experiment and during Covid, we don’t teach first year writing online here at EMU. My experience with teaching online is that it works best for courses with more advanced students because so much of the work of the class has to be self-motivated.
Though I will also say that I have plenty of students in f2f first year writing who aren’t interested in playing along with activities like freewriting as well.